Kino Mania: Erotyk (Erotique) 1960
Although the promise of the Nouvelle vague was never fulfilled in Poland, the early features of Jerzy Skolimowski showed how
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Film & TV
Kino Mania: Hardkor Disko (Hardcore Disco) 2014
After establishing himself as one of the most sought-after music video directors in the Polish market, Krzysztof Skonieczny prepared himself
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Kino Mania: Ojciec i syn (Father and Son) 2013
Few documentary makers today have managed to investigate their own family milieu with such detachment. The films of Marcel Łoziński
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Kino Mania: Ewa chce spać (Ewa Wants to Sleep) 1958
Until the 1970s, the Polish movie industry made precious few attempts to make the nation laugh, but Ewa chce spać
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Kino Mania: Obietnica (The Word) 2014
It would be reasonable to expect any Polish feature film about youth released in the next few years to be
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Kino Mania: Kamienie na szaniec (Stones for the Rampart) 2014
There has been more room for manoeuvre in Robert Gliński’s filmmaking career since he completed his term as Rector of
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Kino Mania: Facet (nie) potrzebny od zara
After paying her dues under Roman Polański and Agnieszka Holland, Polish rookie Weronika Migoń finally got the opportunity to debut
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Kino Mania: Jack Strong
Despite a penchant for heated dramas set during wartime, Polish cinema has rarely taken the opportunity to deal with the
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Kino Mania: Był sobie raz (Once Upon A Time)
Polish animation has often deliberately used weak narratives to draw attention to the formal aspects of the work itself. Walerian
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Kino Mania: Eroica
If Andrzej Munk had directed Wajda’s Kanał (1956), the development of the Polish Film School could have taken a decidedly
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